The main character is a cantankerous, still-sharp 93-year-old man, and his frustration at being trapped in an old man's body is palpable. The story of his incredible life and adventures with the Benzini Brothers circus unfolds in a way that is emotionally wrenching, and yet flashes of good humor pervade throughout. ( Review from here)
Sittenfeld tracks the life of bookish, naïve Alice Lindgren and the trajectory that lands her in the White House as first lady. Charlie Blackwell, her boyishly charming husband, whose background of Ivy League privilege, penchant for booze and partying, contempt for the news and habit of making flubs when speaking off the cuff, bears more than a passing resemblance to the current president (though the Blackwells hail from Wisconsin, not Texas). Sittenfeld shines early in her portrayal of Alice's coming-of-age in Riley, Wis., living with her parents and her mildly eccentric grandmother. A car accident in her teens results in the death of her first crush, which haunts Alice even as she later falls for Charlie and becomes overwhelmed by his family's private summer compound and exclusive country club membership. Later the first couple deals with his being ostracized as a president who favors an increasingly unpopular war. (Review from here)
Charleston, S.C., gossip columnist Leopold Bloom King narrates a paean to his hometown and friends in Conroy's first novel in 14 years. In the late '60s and after his brother commits suicide, then 18-year-old Leo befriends a cross-section of the city's inhabitants: scions of Charleston aristocracy; Appalachian orphans; a black football coach's son; and an astonishingly beautiful pair of twins, Sheba and Trevor Poe, who are evading their psychotic father. The story alternates between 1969, the glorious year Leo's coterie stormed Charleston's social, sexual and racial barricades, and 1989, when Sheba, now a movie star, enlists them to find her missing gay brother in AIDS-ravaged San Francisco. (Review from here)
The Help is set during the nascent civil rights movement in Jackson, Miss., where black women were trusted to raise white children but not to polish the household silver. Eugenia Skeeter Phelan is just home from college in 1962, and, anxious to become a writer, is advised to hone her chops by writing about what disturbs you. The budding social activist begins to collect the stories of the black women on whom the country club sets relies and mistrusts enlisting the help of Aibileen, a maid who's raised 17 children, and Aibileen's best friend Minny, who's found herself unemployed more than a few times after mouthing off to her white employers. The book Skeeter puts together based on their stories is scathing and shocking, bringing pride and hope to the black community, while giving Skeeter the courage to break down her personal boundaries and pursue her dreams. (Review from here)
In a not-too-distant future, the United States of America has collapsed, weakened by drought, fire, famine, and war, to be replaced by Panem, a country divided into the Capitol and 12 districts. Each year, two young representatives from each district are selected by lottery to participate in The Hunger Games. Part entertainment, part brutal intimidation of the subjugated districts, the televised games are broadcasted throughout Panem as the 24 participants are forced to eliminate their competitors, literally, with all citizens required to watch. When 16-year-old Katniss's young sister, Prim, is selected as the mining district's female representative, Katniss volunteers to take her place. She and her male counterpart, Peeta, the son of the town baker who seems to have all the fighting skills of a lump of bread dough, will be pitted against bigger, stronger representatives who have trained for this their whole lives. (Review from here)
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